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Serif Font: Prillwitz Normal _Demo [STD] [MICRO]

Prillwitz Italic 56

German punchcutter Johann Carl Ludwig Prillwitz was a contemporary of Didot and Bodoni, but his work has remained one of the eras best kept secrets. He cut his first faces in 1790, even earlier than that other German classicist, Walbaum.

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Prillwitz is simply a gorgeous revival. It is modest in scope  it offers just Regular, Italic, and Bold  but its beautifully made. It also offers various optical styles, optimized for different sizes: Normal, Book, and Display. Prillwitz Press, specially created for small-size newspaper use.

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The younger generation in particular should increasingly counter the flattening of form with something sophisticated, so to speak as a visual challenge to a changed media landscape.

[Werner Schneider]
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z . a b c d e f g h i j k l m n o p q r s t u v w x y z , 1 2 3 4 5 6 8 7 9 0
But I must explain to you how all this mis­taken idea of de­noun­cing plea­sure and prai­sing pain was born and I will give you a com­ple­te ac­count of the sys­tem, and ex­pound the ac­tu­al teach­ings of the great ex­plo­rer of the truth, the ma­ster buil­der of hu­man happ­iness. No one re­jects, dis­likes, or av­oids plea­sure it­self, be­cause it is plea­sure, but be­cause those who do not know how to pursue plea­sure ra­tio­nally en­coun­ter con­se­quen­ces that are ex­tre­me­ly pain­ful. Nor again is there any­one who lov­es or pur­sues or de­sires to ob­tain pain of it­self, be­cause it is pain, but be­cause occas­ional­ly ci­rcum­stan­ces occur in which toil and pain can pro­cure him some great plea­sure.
Cyrillic is unfortunately not available in this font.
Greek is unfortunately not available in this font.
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